From: Dr. Susanne Meyer-Abich <s.meyer-abich@tu-berlin.de>
Date: Jan 8, 2019
Subject: TOC: Journal for Art Market Studies: “Artists on the Market”
Vol 2, No 4 (2018)
Guest Editor: Sarah Salomon
Die neue Ausgabe des Journal for Art Market Studies „Artists on the Market“ stellt den Künstler in den Mittelpunkt. Mit Beispielen vom 19. Jahrhundert bis zur Gegenwart verfolgt das Heft verschiedene Verfahren, mit denen Künstler ihre Arbeit – und oftmals auch ihre Person als Verkörperung ihrer Kunst – zu Markte tragen.
Inhalt:
1. Editorial
http://dx.doi.org/10.23690/jam
2. Sarah Salomon, Introduction
http://dx.doi.org/10.23690/jam
3. Lisa Hackmann, Contrived Resemblance: Delaroche and Napoleon
http://dx.doi.org/10.23690/jam
4. Barbara Pezzini, The “Art” and the “Market” Elements of the Art Market: John Linnell, William Agnew and Artist-Dealer Relationships in Nineteenth-Century Britain
http://dx.doi.org/10.23690/jam
5. Marie Tavinor, “Wonderful Revelations”: Scottish Art at the Venice Biennale and the Strategies of Innovation and Reputation, 1897-1899
http://dx.doi.org/10.23690/jam
6. Jonathan Maho, An Oeuvre shaped by the Buyers’ Tastes? The Impact of Compromises on the Reception of Robert Mapplethorpe’s Work
http://dx.doi.org/10.23690/jam
7. Martin Hartung, Under Control: Sol LeWitt and the Market for Conceptual Art
http://dx.doi.org/10.23690/jam
8. Franz Schultheis, The Artist is Absent: the Artist as Creativity Entrepreneur and Changes in Representation and Practices of “Art”
http://dx.doi.org/10.23690/jam
Reference / Quellennachweis:
TOC: Journal for Art Market Studies: “Artists on the Market”. In: ArtHist.net, Jan 8, 2019. <https://arthist.net/archive/1