General

Angelicoussis, E., The Woburn Abbey collection of classical antiquities Monumenta artis Romanae 20. Mainz, 1992.

Ayres, P., Classical culture and the Idea of Rome in Eighteenth-Century England. Cambridge, 2009.

Brodie, N., Doole, J. & Renfrew, C. (eds.), Trade in Illicit Antiquities: the Destruction of the World’s Archaeological Heritage. Cambridge 2001.

Brodie, N., Kersel, M. M., Luke, C., Tubb, W. (eds.,). Archaeology, Cultural Heritage and the Antiquities Trade. Gainesville, 2006.

Buchholz, H.-G., “Ägäische Kunst gefalscht,” Acta Praehistorica et Archaeologica 1 (1970) 113-135.

Chippindale, C. & Gill, D.W.J., “Cycladic Figurines: Art vs. Archaeology?,” in K. W. Tubb (Ed.), Antiquities: Trade or Betrayed. Legal, Ethical and Conservation Issues. London, 1995, 131-142.

Chippindale, C. & Gill, D.W.J., “Material Consequences of Contemporary Classical Collecting,” American Journal of Archaeology 104 (2000), 463-511.

Dörig, J., Art Antique: Collections Privées de Suisse Romande. Geneva, 1975.

Ede, C., Collecting Antiquities: An Introductory Guide. London, 1976.

Felch, J & Frammolino, R. Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s Richest Museum. Boston & New York, 2011.

Fröhlich, T., “Winckelmann als Commissario delle Antichità” In: Festschrift für Max Kunze “…die Augen ein wenig zu öffnen”. Ein Blick auf die antike Kunst von der Renaissance bis heute. Mainz-Ruhpolding 2011, 55-64.

Getty Museum. A Passion for Antiquities: Ancient Art from the Collection of Barbara and Lawrence Fleischman. Malibu, 1994.

Gill, D.W.G. & Chippindale, C., “Material and Intellectual Consequences of Esteem for Cycladic Figures,” American Journal of Archaeology 97 (1993), 601-659.

Graepler, D. “Raubgrabungen und Archäologie,” in: Archäologie, Raubgrabungen und Kunsthandel. Schriften des Deutschen Archäologen-Verbandes, 13. Hannover, 1995, 23–33.

Graepler, D. “Fundort unbekannt! Eine Wanderausstellungen über Raubgrabungen,” Antike Welt 26 (1995), 221–223.

Heilmeyer, W-D. & Eule, J.C. Illegale Archäologie? Berlin, 2004.

Hess, J.L., The Grand Acquisitors. Boston, 1974.

Hoffmann, H., Collecting Greek Antiquities. New York, 1971.

Howland, R. H., (ed.,), Mycenaean Treasures of the Aegean Bronze Age Repatriated. Washington D.C., 1997.

Jenkins, I., Archaeologists and Aesthetes in the Sculpture Galleries of the British Museum, 1800-1939. London, 1992.

Jenkins, I. & Sloan, K. Vases & Volcanoes: Sir William Hamilton and his Collection. London, 1996.

Khalili family Trust: The Khalili Collections http://www.khalili.org/collections/

Lapatin, K., Mysteries of the Snake Goddess: Art, Desire, and the Forging of History, Boston, 2002.

Marangou, L., Ancient Greek Art: The Collection of S.S Niarchos. Athens, 1995.

Marthari, M., “Altering Information from the Past: Illegal Excavations in Greece and the Case of the Early Bronze Age Cyclades,” in Brodie, N., Doole, J. & Renfrew, C. (eds.), Trade in Illicit Antiquities: the Destruction of the World’s Archaeological Heritage. Cambridge 2001, 161-172.

Nelidov, A.I & Pollak, L. Klassisch-antike Goldschmiedearbeiten im Besitze Sr. Excellenz A. J. von Nelidow Leipzig, 1903.

Padova [Beltramini, G. ,Gaparotto, D. & Tura, A.]. Pietro Bembo e l’invenzione del Rinasci mento. Padova, 2013.

Paul, E., Gefälschte Antike. Leipzig, 1981. Payne, A., Kuttner, A. & Smick, R., (eds.), Antiquity and its Interpreters. Cambridge, 2000.

Pearce, S.M., Collecting in Contemporary Practice. London, 1988.

Radnóti, S., The Fake: Forgery and Its Place in Art. Oxford. 1999.

Renfrew, C., Loot, Legitimacy and Ownership: the Ethical Crisis in Archaeology. Amsterdam, 1999.

Renfrew, C., “Museum Acquisitions: Responsibilities for the Illicit Trade in Antiquities,” in Brodie, N., Kersel, M. M., Luke, C., Tubb, K. W. (eds.). Archaeology, Cultural Heritage and the Antiquities Trade. Gainesville, 2006, 245-257.

Royal Academy of Arts. In pursuit of the Absolute: Art of the Ancient World from the George Ortiz Collection. London, 1994.

Rudolph, W., A Golden Legacy: Ancient Jewelry from the Burton Y. Berry Collection at the Indiana University Art Museum. Bloomington, 1996.

Scholl, A., Die antiken Skulpturen in Farnborough Hall sowie in Althorp House, Blenheim Palace, Lyme Park und Penrice Castle = Corpus Signorum Imperii Romani III: 7 Antike Skulpturen in englischen Schlössern. Mainz, 1995.

Simpson, E., (ed.). The Spoils of War. New York, 1997.

Spier, J., Treasures of the Ferrell Collection. Wiesbaden, 2010.

Spier, J. & Vassilika, E., “S.S. Lewis: Notes on a Victorian Antiquary and on Contemporary Collecting,” Journal of the History of Collections 7:1 (1995), 85-102.

Spencer, R.D., The Expert versus the Object: Judging Fakes and False Attributions in the Visual Arts. Oxford, 2004.

Spier, J. & Kagan, J., “Sir Charles Frederick and the forgery of ancient coins in eighteenth-century Rome,”Journal of the History of Collections 12,1 (2000) 35-90.

St. Clair, W., Lord Elgin & the Marbles: The controversial History of the Parthenon Sculptures. Oxford & New York, 1988.

Türr, K., Fälschungen antiker Plastik seit 1800. Berlin, 1984.

Von Bothmer, D. (ed.), Glories of the Past: Ancient Art from the Shelby White and Leon Levy Collection.New York, 1990. 

Wagstaff, J.M., “Colonel Leake in Laconia,” in Motyka Sanders, J. (ed.,), Philolakon: Lakonian Studies in honour of Hector Catling. London, 1992, 277-284.

Wakeling, T.G., Forged Egyptian Antiquities. London, 1912.

Watson, P., & Todeschini, G., The Medici Conspiracy: The Illicit Journey of Looted Antiquities. New York, 2006.

Watson, P., Sotheby’s: Inside Story. London 1997.

Williams, D., “The Brygos tomb reassembled and 19th century commerce in Capuan antiquities” American Journal of Archaeology 96 (1992), 617-636.

Zimmer, G., Kriseleit, I. & Eule, J. C.: Bürgerwelten. Hellenistische Tonfiguren und Nachschöpfungen im 19. Jh. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Antikensammlung, Sonderausstellung 29.1. bis 30.4.1994. Mainz, 1994.

 


Ancient Egyptian Art

Bierbrier, M., Who was Who in Egyptology. London, 2012. Burlington Fine Arts Club, Art of Ancient Egypt. London, 1895.

Burlington Fine Arts Club, Catalogue of an exhibition of Ancient Egyptian Art. London, 1922

Birch, S., Catalogue of the Collection of Egyptian Antiquities at Alnwick Castle. London, 1880.

Budge, E.A.W., Some Account of the Collection of Egyptian Antiquities in the Possession of Lady Meux of Theobald’s Park Waltham Cross. London 1893, 2ed 1896.

Colla, E., Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham & London, 2007.

Cooney, J., “Egyptian Art in the Collection of Albert Gallatin,” Journal of Near Eastern Studies 12 (1953), 1-19.

Cooney, J., Amarna Reliefs from Hermopolis in American Collections. Brooklyn, 1965.

Dawson, W.R. & Uphill, E.P. Who Was Who in Egyptology 2nd rev’d ed. London, 1972.

Fagan, B.M., The Rape of the Nile; Tomb robbers, Tourists, and Archaeologists in Egypt. London, 1975.

Hilton Price, F.G. A Catalogue of the Egyptian Antiquities in the Possession of F.G. Hilton Price Dir. S.A. London, 1897, vol. II London, 1908.

Hôtel Drouot, Collections de feu M. Jean Lambros d’Athenes et de M. Giovanni Dattari du Caire. Antiquités‚ égyptiennes grecques et romaines 17-19 June. Paris, 1912.

Hôtel Drouot, Antiquités‚ égyptiennes, grecques et Romaine appartenant … P. Philip et divers amateurs 10 12 April. Paris, 1905.

Moon, B., More. Usefully Employed: Amelia B. Edwards, Writer, Traveller and Campaigner for Ancient Egypt. London, 2006.

Moorehead, A., The Blue Nile. London, 1962 repr. 1980, esp. chaps. 7,8 9.

Petrie, W. M. F., Ten Years’ Digging in Egypt 1881-1891. London, 1892.

Stevenson, A., “Artefacts of Excavation: The British Collection and Distribution of Egyptian Finds to Museums, 1880,” Journal of the History of Collections 26: (2014), 89-102.

Thomas, A.P., “The Barefoot Aristocrats and the Making of an Egyptian Collection,” in Schneider, T. & K. Szpakowska (eds.), Egyptian Stories: A British Egyptological Tribute to Alan B. Lloyd on the Occasion of His Retirement = Alter Orient und Altes Testament 347 (2007).

Two Temple Place [Serpico, M.], Beyond Beauty: Transforming the Body in Ancient Egypt. London, 2016, esp. 63-95.

Vassilika, E., ‘Museums’ in The Oxford Encyclopaedia of Ancient Egypt. Oxford, 2001, 444-450.

Vassilika, E., ‘Collectors & Dealers, Museums, Exhibitions’ in Macmillan, The Dictionary of Art: vol. 10, 89-95.

Woodson-Boulton, A., “Victorian Museums and Victorian Society,” History Compass 6/1 (2008), 109-146