CFP: Revue exPosition, N° 3: Le peintre, le tableau et son accrochage Deadline: Jan 2, 2017 Appel à contribution pour le dossier thématique du numéro 3 de la revue exPosition (http://www.revue-exposition.com) "Le peintre, le tableau et son accrochage" (coordinatrice du dossier: Hélène Trespeuch) Le tableau est par définition "une œuvre picturale réalisée sur un support autonome" … Continue reading CFP: Revue exPosition, N° 3: Le peintre, le tableau et son accrochage.
CFP: Seminars in the History of Collecting 2017, The Wallace Collection, London
CFP: Seminars in the History of Collecting 2017 Deadline: 12 September 2016 Venue: The Wallace Collection, London The seminar series was established as part of the Wallace Collection’s commitment to the research and study of the history of collections and collecting, especially in the eighteenth and nineteenth centuries in Paris and London. In 2017, as … Continue reading CFP: Seminars in the History of Collecting 2017, The Wallace Collection, London
CFP: ‘From Refugees to Restitution: The History of Nazi Looted Art in the UK in Transnational and Global Perspective', 23-24 March 2017, Cambridge
CFP: ‘From Refugees to Restitution: The History of Nazi Looted Art in the UK in Transnational and Global Perspective' Deadline: 15 October 2016 Organisers: Bianca Gaudenzi (University of Cambridge/University of Konstanz) Julia Rickmeyer (Sotheby’s London) Venue: Newnham College, Sidgwick Avenue, Cambridge CB3 9DF In recent years, the subject of looted art and the restitution of … Continue reading CFP: ‘From Refugees to Restitution: The History of Nazi Looted Art in the UK in Transnational and Global Perspective', 23-24 March 2017, Cambridge