Society for the History of Collecting
The Evolving House Museum: Art Collectors and Their Residences, Then and Now
Online Symposium, June 18–19, 2021
Organized and chaired by Margaret Iacono, Independent Scholar, Norwalk, Connecticut, and Esmée Quodbach,Independent Scholar, Princeton, New Jersey
FRIDAY, JUNE 18, 2021, 11 A.M.–2 P.M. (EDT) / 4 P.M.–7 P.M. (BST)
* All times below are given in Eastern Daylight Time (EDT)
11:00 Welcome and Introductory Remarks
11:15 Keynote Address Whose House Is It Anyway?
Inge Reist, Director Emerita of the Center for the History of Collecting, The Frick Collection, New York
Part I: Early Beginnings, the Gilded Age, and Beyond
11:45 Cleveland House as Art Museum: ‘The Louvre of London’ (1806)
Anne Nellis Richter, Independent Scholar and Adjunct Faculty, Smith College, Northampton, Massachusetts
12:05 The Mesdag Collection in The Hague: The Lasting Legacy of Hendrik Willem Mesdag and Sientje van Houten
Evelien de Visser, Curator of Fine Arts from 1750 and Information Specialist Van Gogh Worldwide, RKD—Netherlands Institute for Art History, The Hague
12:25 Q & A, followed by break
12:45 A Tale of Two Museums: The Legacies of the Parisian Collectors Isaac and Moïse de Camondo
Mia Laufer, Associate Curator, Minnesota Museum of American Art, St. Paul
1:05 The Evolution of Charles and Anna Taft’s Art Museum: Display, Space, Audience, and Acquisitions
Lynne D. Ambrosini, Deputy Director/Chief Curator Emerita, Taft Museum of Art, Cincinnati, Ohio
1:25 Medievalism, Museums, and Modern Audiences: The Case of the Hammond Castle Museum in Gloucester,Massachusetts
Martha Easton, Assistant Professor of Art History, St. Joseph’s University, Philadelphia
1:45 Q & A
SATURDAY, JUNE 19, 2021, 11 A.M.–2 P.M. (EDT) / 4 P.M.–7 P.M. (BST)
* All times below are given in Eastern Daylight Time (EDT)
Part II: Looking Back, Looking Forward: The Evolving House Museum over the Past Century
11:00 Welcome and Introductory Remarks
11:15 The Ringling Museum’s Ca’ d’Zan: Its Evolution from Winter Residence to Historic House Museum
Marissa Hershon, Curator of Ca’ d’Zan and Decorative Arts, The John & Mable Ringling Museum of Art, Sarasota,Florida
11:35 The Fortunes of War: The Brief Life of the Jules S. Bache House Museum in New York, 1937–1943
Anne Hilker, Independent Scholar, New York
11:55 Marjorie Merriweather Post’s Hillwood and the Vision from a Private Collection to Public Museum
Rebecca Tilles, Associate Curator of 18th-Century French & Western European Fine and Decorative Arts, HillwoodEstate, Museum & Gardens, Washington, D.C.
12:15 Q & A, followed by break
12:35 Hung’s Art Gallery: Shaping the History of Collecting in Taiwan in the New Millennium
Chih-En Chen, Ph.D. Candidate, History of Art and Archaeology, SOAS, University of London
12:55 A New Type of House Museum: Lyon Housemuseum, Melbourne (2009)
Georgina S. Walker, Honorary Research Fellow, University of Melbourne
1:15 Ecologies of House Museums: Some Final Thoughts
Julie Codell, Professor, Art History, Arizona State University, Tempe
1:40 Q & A
Image credits: left: Pieter Christoffel Wonder (1777–1852), Patrons and Lovers of Art, ca. 1826–30, private collection. Photo by Sailko;https://commons.wikimedia.org/wiki/File:Pieter_Christoffel_Wonder_-_Painting_of_an_art_gallery_(cropped).jpg. Center: Foyer, Charles and Anna Taft’s house during their lifetimes, ca. 1925, now the Taft Museum of Art, Cincinnati, Ohio. Taft Museum of Art Archives. Right: Lyon Housemuseum, Kew, Victoria, Australia. Photograph byDianna Snape (2009), courtesy of Lyon Housemuseum.
the program is good. I am collector of paintings 1500-1700 and I want to open the paintings in the Internet and in a private gallery.