Violated National Heritage: Theft, Trafficking and Restitution
Tuesday, 17 March 2020 at 4:00 – 8:30PM
Victoria and Albert Museum
Lydia & Manfred Gorvy Lecture Theatre Cromwell Road London SW7 2RL
Have you ever wondered how ancient art from countries such as Egypt, Greece and Rome came to fill European and American museums? And how did national Pacific collections come into being? This conference, with a dynamic list of international speakers, will address how collecting has developed since the 16th century, and how, over the centuries, it has been regulated, even circumvented in various ways. It will also look beyond the boundaries of legal trade of art and artefacts to consider how the criminal orbit operates, how heritage-rich countries confront the trafficking of their patrimony and how museums are involved in such debates.
This conference will not tackle the Parthenon marbles debate nor war booty, but it will raise issues around patrimony laws, looting, trafficking, faking provenance and money laundering. Presentations on particular historical contexts will be followed by talks focusing on the contemporary situation, including the policing and voluntary restitution versus surrender of objects as the result of investigative evidence. Trafficking takes many forms and may include forgeries in order to satisfy demand. Both source and receiving countries have sharpened their laws, policing and prosecutions.
This conference is aimed not only at students but also art world and museum professionals, indeed at anyone interested to hear the latest information, much of which is unpublished, and to learn more about the realities behind these key issues.
Vernon Rapley (Director of Cultural Heritage Protection and Security) & Laura Jones (Cultural Heritage Preservation Lead): The V&A’s Culture in Crisis Programme;
Barbara Furlotti (The Courtauld), on the Roman Antiquities Market during the Renaissance;
Hilke Thode Arora, Keeper Oceanic collections (Museum Fünf Kontinente, Munich), on Pacific ‘gifts’;
Eleni Vassilika, Former museum director (Hildesheim and Turin), on the operations of placing illicit Egyptian antiquities in museums;
Christos Tsirogiannis, Assoc. Prof. and AIAS-COFUND Research Fellow, Institute of Advanced Studies, University of Aarhus, formerly at the Archaeological Unit at Cambridge, as well as the Greek Ministry of Culture and the Greek Police Art Squad, on recent restitutions to Greece;
Omniya Abdel Barr, V&A researcher and project director for the documentation of Mamluk patrimony in Cairo, on the theft of elements from mosques (minbar);
Ian Richardson, Registrar for Treasure Trove (The British Museum), on how the TTAct functions;
Roland Foord, Senior Partner, Stephenson Harwood LLP, on procedures for restitution.
The day will end with a Drinks Reception.
The Society for the History of Collecting is grateful to the Worshipful Company of Makers of Playing Cards and the Gilbert Trust for the Arts for their support in making this event possible.
THE IMAGE ABOVE: DETAIL FOR A COLOURED LITHOGRAPH AFTER L. BOILLY, 1823, WELLCOME COLLECTION. CC BY.
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Tricks of the Trade: Duveen Brothers and the Market for the Decorative Arts, 1880–1940
Wednesday, 15 April 2020 at 7:00 PM
The Getty Center
Drawing from her recent publication, Duveen Brothers and the Market for Decorative Arts, 1880–1940 (2019), curator and professor Charlotte Vignon discusses the commercial strategies and the relationships with preeminent collectors, including J. P. Morgan, that led this prominent art and antiques dealer to dominate the transatlantic art market from the late 19th to the mid-20th century.
Charlotte Vignon is director of the Heritage and Collections department at Sèvres-Cité de la Céramique and a visiting associate professor at the Bard Graduate Center, New York.
SHC Members are invited to the lecture and reception. Hosted by Getty Research Institute, Project for the Study of Collecting and Provenance.
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