Subject: TOC: CORR: Artibus et Historiae no. 79 (XL), 2019
Artibus et Historiae, no. 79 (XL), 2019
HORST BREDEKAMP
Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019) (pp. 9–10)
IRVING LAVIN
The Silence of Bernini’s ‘David’ (pp. 10–21)
RAFAŁ QUIRINI-POPŁAWSKI
Alcune note sull’origine adriatico-ungherese dello stile dei capitelli del monastero benedettino di Tyniec (pp. 23–43)
DANIELE GUERNELLI
Generazioni a confronto. Un ‘Messale’ per San Michele in Bosco a Bologna miniato da Giovanni Battista e Scipione Cavalletto (pp. 45–72)
LIVIO PESTILLI
Revisiting Michelangelo’s ‘Doni Tondo’ (pp. 73–87)
VICTORIA S. REED
Decapitation, Devotion, and Desire in Titian’s ‘Salome’ (pp. 89–115)
MARIE-LOUISE LILLYWHITE
The Decoration of the Church of San Giacomo dall’Orio in Venice, 1567–1606: Palma il Giovane, Giovanni Maria da Ponte and the Counter-Reformation (pp. 117–150)
AOIFE BRADY
Durability and Disease: Guido Reni’s Paintings on Silk (pp. 151–166)
JESSE LOCKER
‘I’m Still Learning’: The ‘Painter’s Studio’ by the Master of the Annunciation to the Shepherds (pp. 167–190)
SILVIA TITA
The Spada Swords and the Barberini Bees Define the Borders of the Papal States: the Frescoes by Colonna and Mitelli in the Salone of the Palazzo Spada (pp. 191–227)
MARCIA POINTON
Peter Paul Rubens and the Mineral World (pp. 229–265)
ALISON M. KETTERING
After Life: Rembrandt’s ‘Slaughtered Ox’ (pp. 267–286)
STEVEN F. OSTROW
Bernini, Baciccio, and the Dome Fresco in the Gesù: A Reconsideration (pp. 287–306)
LARISA NIKIFOROVA, EKATERINA BLOKHINA
Portrait with a Black Page in Eighteenth-Century Russian Art and the Cultural Transfer of Signs (pp. 307–322)